Kanon – Last Regrets / Kaze no Tadoritsuku Basho

Kanon – Last Regrets / Kaze no Tadoritsuku Basho. Front. Click to zoom.
Kanon – Last Regrets / Kaze no Tadoritsuku Basho
Front
Composed by Jun Maeda / Shinji Orito
Arranged by Kazuya Takase / Manack
Published by Key Sounds Label
Catalog number KSLA-0026
Release type Game Soundtrack - Official Release
Format 1 CD - 6 tracks
Release date December 28, 2006
Duration 00:28:22
Genres
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Overview

Key's debut visual novel Kanon featured two theme songs, the melancholy opener "Last Regrets" and the upbeat closer "The Place Where the Wind Arrives". Following the precedent set by other game music releases, Key released a generously priced single dedicated to the game. It compiles the full versions of both songs, together with a number of bonus instrumental arrangements.

Body

"Last Regrets" is an unusual opening theme for a video game. Rather than place the focus on vocals, Jun Maeda allows the instrumentals to take a more prominent role during the first half of the piece. The focus is a sombre piano-based rendition of the main theme for the soundtrack, also featured on "Remnant of a Dream" in the main soundtrack. Nevertheless, as the track gradually becomes more uplifting, the vocals gradually emerge during the six minute playtime to become the focus of the song. Unfortunately, the balance between the two parts sometimes sounds artificial, but the overall effect generated from this approach is wonderful and cannot be appreciated in the short version.

The true expressions of joy are reserved to the ending theme "The Place Where the Wind Arrives". Shinji Orito transforms "Newborn Wind" into a jubilant beat-heavy anthem featuring a youthful vocal performance from Ayana. Like the other vocal track, the main problem is the implementation — the beats sound trashy and sometimes overpower the vocals. What's more, the vocals themselves are a little weak, especially compared to those by Key mainstays like Lia. However, those who can ignore this will find themselves enjoying a very peppy ending theme. This one is just as enjoyable out of context as it is in context. Like the opener, it is also featured in an instrumental version here.

The single is rounded off by three substantial bonuses: instrumental arrangements of favourites from the main soundtrack. Expanding greatly on the original, "Morning Glow" evolves from its pensive piano opening into a radiant synth-heavy piece that captures the magic of love. It will be too melodramatic for some, but a perfect arrangement for the sentimentalists out there. The equally subdued "Winter Fireworks" and "Little Fragments" also evolve through an emotionally-guided arch. However, they also have an ephemeral and minimalistic quality throughout.

Summary

Overall, this release is quite a bit more than the standard vocal single. The extended versions of the theme songs certainly shed new light on them and the opener, especially, is a remarkable achievement. It's just a pity that both are hampered by technical and performances, with "Last Regrets" being much more powerful on the Kanon Arrange Best Album -Recollections-. The instrumental arrangements are fine bonuses to the single, though were also reprised on the aforementioned album. Overall, the vocal single is cautiously recommended for those simply interested in the theme songs, whereas others should pursue Recollections.



Album
6/10

Music in game
0/10

Game
0/10

Chris Greening

Contains the TV-size opening and ending themes for the 2006 Kanon anime by Kyoto Animation.
Album was composed by Jun Maeda / Shinji Orito and was released on December 28, 2006. Soundtrack consists of 6 tracks tracks with duration over about 30 minutes. Album was released by Key Sounds Label.

CD 1

1
Last regrets -Original Ver.-
06:16
2
The Place Where the Wind Arrives -Original Ver.-
06:13
3
Last regrets -TV animation Ver.-
01:32
4
The Place Where the Wind Arrives -TV animation Ver.-
01:32
5
Last regrets -2006 memorial mix-
06:32
6
The Place Where the Wind Arrives -2006 memorial mix-
06:17
26.02.13

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